I came from the 2011 ALA Annual Conference in New Orleans with literally dozens of advance reader copies, and had the nice problem of trying to figure out which one to read first. I had a chance to meet Maureen Johnson while I was there, and she was one of the friendliest authors I had the privilege of talking to. So, I started following her Twitter feed, and if you don’t follow her, you really should. She’s manic and adorable, and I couldn't help but decide to read Name of the Star first. I’m glad I did, because even with a few hiccups, this is a great start to what looks to be a fantastic YA series.
This first entry in Johnson’s new Shades of London series introduces Rory Deveaux, a Louisiana teenager who comes to England with her parents and enters a boarding school in London. Coinciding with her arrival is a spree of murders that are eerily reminiscent of those committed by London’s most famous serial killer: Jack the Ripper. Rory tries to adjust to her new surroundings, but London has become a surreal carnival of glee and fear, with “Ripper mania” spawning macabre parties, thronging vigils, and 24/7 news coverage. The grim mystery gets deeper when Rory realizes that she spoke to a sinister man at the scene of one the murders that nobody else could see, even when he was in plain sight. Still trying to make sense of being an American in England, Rory quickly finds herself overwhelmed by the discovery of a rare ability, which draws a whole lot of attention. Attention from those who want to help her, but also from the Ripper himself.
It must be said at the beginning that the general setting doesn't really fall outside of what readers might have seen before. It’s a British boarding school, with quirky roommates, mean girls, and a cute boy with a hot British accent. That almost qualifies as a subgenre, by now. Also, a few early twists are apparent a mile away to anyone who has seen the Sixth Sense (but, let’s be honest, that group is mostly comprised of people like me: thirty-somethings who are increasingly panicked about no longer being the arbiters of pop culture). And Ripper stories are always fascinating... seriously, always... but they are also prolific.
So it speaks highly of Johnson’s talent that this well-trodden path is so fun to walk down. The opening chapter grabs you immediately, and the beginning exposition is suffused with atmospheric tension. It also helps that Rory is such a likeable character; she has just the right mix of humor, awkwardness, and angst. Perfectly believable, and wholly sympathetic. Rory’s snark and self-effacing humility is a fantastic counterpoint to the rising tension and bloody attacks as the Ripper re-enacts the famous 19th-century rampage, ensuring that the story never falls too far on one side or the other of the drama/comedy spectrum. The setting is evocative and immersive; both the interiors and exteriors of this book's London resonate in the imagination, because they are written with an easy realism and an effortless eye for important detail.
The book heads in a different direction around halfway through, when Rory finally begins to understand what she can do and what that really means. This is where the story steps away from being a Jack the Ripper story, and determinedly sets up the larger Shades of London series premise. It’s a delicate moment, being the place most likely to lose readers who have been glued to the story so far, but I felt that Johnson handled it masterfully. The brooding tension that permeates the first half isn't lost, and Rory seamlessly moves from the boarding school into the wider, scarier world. Most importantly, though, Johnson keeps hot on the main mystery's heels while setting up the series, ensuring that this remains a strong standalone novel.
There are two minor quibbles I had with the book. At one point, the villain gets excessively monologue-y, which is a pet peeve of mine that I can never get over. The rest of the exposition was so good that it made that one "now I shall reveal my plan!" moment excessively grating. Also, for as much as Rory is smart, resourceful, and brave, she never really moves past being a perpetual damsel-in-distress until the very last moment. She spends the book being guarded, hunted, manipulated, herded, and being forced into uncomfortable situations, and even though there are plenty of moments that exemplify her innate strength, she spends too much time being at the mercy of her environment. To be fair, this could be attributed to overall tone of the book: unfamiliar school, unfamiliar city, unfamiliar culture, and, uh, unfamiliar ghosts. Still, I kind of waited for a definitive "Rory starts to kick ass" part of the story that never really came.
Both of these little issues are redeemed by a fantastic ending that wraps up the mystery nicely, but still leaves the reader with a tantalizing cliffhanger that sets up Rory's future exploits. It actually reminded me of the ending format that most Doctor Who episodes use (coincidence, considering the Amy Pond reference in the book? I THINK NOT). The Name of the Star pulls double duty as a gripping novel and as a series introduction with aplomb.
A word of warning: this is dark YA! *dramatic music* You know, because there's murders, and darkness, and making out, and everything is really foggy and whatnot! So, steer clear if you don't want your precious angel reading about subjects they might discover in other things you presumably don't let them read, like history books, or the newspaper. Otherwise, this is definitely one to check out once it hits shelves. The first Shades of London book is a great read, and I'm excited to see where the series goes from here.
Verdict: 4 / 5
Friday, July 15, 2011
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