More hilarious snark! More fantastic artwork! The second volume of Whedon and Cassaday’s run on Astonishing X-Men is as good as the first in terms of story, characterization, and artwork, though it is perhaps not quite as accessible to new X-Men readers as the first volume. Thankfully, I’ve got enough background knowledge on the X-universe that it didn’t slow me down at all.
This volume breaks away from the story arc established in the first. Ord, the Breakworld, S.W.O.R.D., and the ominous prophecy of interdimensional warfare are all present, but referenced only briefly. Instead, this volume heads back to the mansion. With Colossus back from the dead and back on the team, the X-Men continue to try and find their place as protectors and heroes. However, an unexpected death caused by the events in the first volume force the team to circle the wagons, as an unknown force attacks their weakest point: the students at Xavier’s school. It is no coincidence that the assault takes place in the Danger Room, a holographic combat simulator in the heart of the mansion; as the X-Men learn more about the Danger Room’s true programming, the real target of the attack slowly becomes clear. Meanwhile, an old enemy bides their time in the background, and the motives of Emma Frost become murkier.
All of the best bits of the first volume are still in evidence here, but the new direction that this story arc takes can be a little jarring. Since I am reading this as a graphic novel, I am trying to approach reviewing it from a standalone perspective, and weigh its merits based on how it reads without an encyclopedic knowledge of X-Men lore (because, let’s face it, if you are already a fan of the title like I am, it’s all gravy). From that perspective, there are few oddities in this second arc. Much was made about Professor Xavier’s absence, and Scott Summers’ struggle under the burden of leadership without him. Okay, well, turns out he’s in Genosha (and let’s take a moment to say WOOOO BACK TO GENOSHA), and once everyone finds him, there doesn’t seem to be much of a revelatory moment.
“Oh, hey professor. Good to see you. We're not really curious at all about why you're her, so allow us to pour some of our angst on you.”
So, it wasn’t a big deal he was gone, after all? Nobody wonders what he was doing in Genosha, or why was he gone at all, exactly? What huh?
There are a few other things here that might confound newbie readers. I was excited to see some obvious references to the Shi’ar, but that’s some pretty inside stuff. Same with the big cliffhanger reveal at the end of the volume, though that will definitely become clearer in due time. And as cool as this story arc is, I’m not entirely sure how it connects to the first volume, other than the oblique references I mentioned before.
Thankfully, there’s enough surplus awesome in these pages to encourage forgiveness. An early cameo from another superhero team was a pleasant surprise. Beast and Shadowcat are more hardcore here than I’ve seen in a long while. The twist and cliffhanger at the end raises the bar for the larger story considerably, even if you don’t know who or what it refers to. And I once again have to hand it to Whedon’s writing: Logan’s three-word internal monologue in the introspective first chapter of the volume was hilariously perfect.
This is still a solid comic run, even if I didn’t quite geek out as much for this volume as I did for the first one. It’s a perfect introduction to the X-Men comics, and a smart and satisfying read for established fans. I almost feel ready to immerse myself in the more esoteric X-stuff again.
Verdict: 4 / 5
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